The Fairleigh Dickinson University Press Series on Shakespeare and the Stage publishes scholarly works on the theatrical dimensions of the plays of Shakespeare and his contemporaries. Both individual studies and collections of previously unpublished essays are welcome.
Series Editor: Matthew Kozusko (Ursinus College)
Recent Publications:
Joseph Candido, The Text, The Play, and the Globe: Essays on Shakespeare and His World in Honor of Charles R. Forker (2016)
Annalisa Castaldo and Rhonda Knight, Stage Matters: Props, Bodies, and Space in Shakespearean Performance (2018)
Travis Curtright, Shakespeare’s Dramatic Persons (2016)
Louise Geddes, Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe (2017)
Peter Lichtenfels and Josy Miller, Shakespeare and Realism: On the Politics of Style (2018)
Catherine Loomis and Sid Ray, Shaping Shakespeare for Performance: The Bear Stage (2015)
Cary M. Mazer, Double Shakespeares: Emotional Realist Acting and Contemporary Performance (2015)
Kathryn M. Moncrief, Katherine R. McPherson, and Sarah Enloe, Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries (2013)
R.S. White, Avant-Garde Hamlet: Text, Stage, Screen (2015)
Related Publications:
- Close Reading Without Readings: Essays on Shakespeare and Others by Stephen Booth.
- The annual journal Shakespeare Studies
- The annual journal Medieval and Renaissance Drama in England
- Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage, edited by Peter Kanelos and Matt Kozusko. Selinsgrove, PA, Susquehanna University Press, 2010
- Inside Shakespeare: Essays on the Blackfriar’s Stage, by Paul Menzer. Selinsgrove, PA: Susquehanna University Press, 2006.